Come to Skulpturenpark Katzow to see how a sculpture changes when you give it a whole meadow and a wide sky. Start at the public park access on Dorfstraße and choose a shape that catches your eye. Walk towards it, pause, then look back: the changing angle is part of the pleasure here.
More than 100 works are spread across about 20 hectares. Steel and wood are the main materials, with stone appearing too, and some pieces rise as high as 18 metres. That scale can be fun for children without needing a long art-history explanation. Let everyone choose a work, describe what it reminds them of and compare answers. You can enjoy a small selection without trying to find every sculpture.
Look for Thomas Radeloff’s Drei Figuren, the work with which the park’s story began, or Tomasz Domanski’s Twisted Square. A useful photo challenge is to give one sculpture three different backgrounds: mostly sky, mostly meadow, and another artwork in the distance. Use the open visitor routes and let the camera do the framing rather than climbing on a piece.
The Klangtrichter, a walk-in sound funnel over a pond, offers a quieter stop. If its visitor access is open, pause inside and listen before talking. Then listen again from outside. The water and the meadow make good subjects in their own right: try a broad landscape photograph and then a close view of a texture you can see from your route. Keep children close beside the pond.
Artist-designed benches provide another reason to slow down and look across the collection. The Kunstscheune, or art barn, is also part of the setting, but its indoor programme needs separate planning. It is run as SKLUPA for exhibitions, concerts and other events. Check what is actually open before building a gallery visit or refreshments into your day. Don't forget to bring the Snappit nature identification app along to scan local species.
Thomas Radeloff placed his Drei Figuren on the meadow in 1991. The first international sculpture workshop followed in 1992, bringing other artists into a project that continued to grow. A supporting association was founded in 1993. Construction of the Kunstscheune began in 1994, and it opened in 1995 with the closing exhibition of Mecklenburg-Vorpommern’s cultural summer. International workshops helped build the collection, with participants travelling from places including Taiwan, Peru and Vanuatu. Since 2023 the barn has been separately run and promoted as SKLUPA.